‘A ‘nameless tragedy’, without clear contours, in which mnemonic traces of a past that has not passed intertwine and blur: Sarajevo? Srebrenica? Grozny? Or do these traces
go back further, to more intimate traumas,
awaiting an unfinished execution? Where does this
devastation that can be read in their eyes come from? What
prevents us from forgetting it?’

​

Jean Jacques Lebel